Toronto Film Review: Orphan

Posted by Reinaldo Massengill on Monday, September 23, 2024

Four actresses play a character determined to escape her past in this experimental drama from French director Arnaud des Pallières.

Known for his challenging, low-key portraits of men in search of trouble or revenge (“Parc,” “Michael Kohlhaas”), French director Arnaud des Pallières tackles a female protagonist for the first time in “Orphan,” an intriguing, narratively fractured portrait of a young woman fighting for her freedom at various stages of her life. While puzzling at first — four actresses who don’t look alike play the same character, including Adèle Exarchopoulos (“Blue is the Warmest Color”) and Adèle Haenel (“Love at First Fight”) — “Orphan” turns out to be des Pallières’ most accessible film for general audiences, who should be seduced by his appealing cast: Gemma Arterton and Sergi López are also part of the game.

When we first meet the central character, she goes by the name of Renée, a discreet schoolteacher trying to get pregnant with her boyfriend Darius (Jalil Lespert). Her uneventful life is turned upside-down by the sudden appearance of an old acquaintance, a gorgeous and intrepid woman recently released from jail (Arterton). The ex-convict demands her “share of the loot,” which leads us to think that Renée hasn’t always been an honest civil servant and is probably wanted by the police.

Related Stories

Downward line graph with an Apple Vision Pro on fire VIP+

Apple Vision Pro Clouds the Bright Future for XR

Anna Sawai at the 76th Primetime Emmy Awards held at Peacock Theater on September 15, 2024 in Los Angeles, California.

'Shogun' Star Anna Sawai Becomes First Asian Performer to Win Emmy for Lead Drama Actress

Without any sort of transition, we discover a new character, an audacious teenager named Karine (Solène Rigot), who regularly runs away from home and goes from man to man (López, Olivier Loustau) to forget about a violent father (Nicolas Duvauchelle) and a gloomy adolescence in the countryside. Could she be connected to this little girl, Kiki, almost a wild child whom we see happily playing on a wasteland until her two friends suddenly disappear? But then who is the young and pretty Sandra (Exarchopoulos), who just landed in Paris to start her adult life? Fresh and reckless, she replies to an old man’s ad in the newspaper — “young girl wanted” — and thanks to him finds a job in a hippodrome where money seems to fly and temptations are everywhere.

Popular on Variety

Among France’s most fearless and ambitious directors, des Pallières builds his film like a Russian doll, daring to picture one woman and four identities in no chronological order. Viewers may be disoriented at first — but then, so is Karine-Sandra-Renée — before realizing that a patient deconstruction of the character’s past en route to understanding her original childhood trauma is actually the only way to reach the heart and soul of a woman who chose to consider herself an orphan although both of her parents are probably still alive. (A special mention to the editors — Emilie Orsini, Guillaume Lauras and the director himself — who manage to lend a sense of consistency to the film’s extremely fragmented structure.)

The film’s sometimes cruel realism arises as much from Christelle Berthevas’s partly autobiographical script as it does from “Holy Motors” DP Yves Cape’s naturalistic and unromantic cinematography. Faces are filmed so closely that the most beautiful actresses, laid bare, all become ordinary women in distress, easy to relate to, with their artificial makeup or imperfect skins. Unfortunately this stimulating quasi-documentary approach is at times weakened by flat dialogue. Still, des Pallières offers a beautifully singular insight into a dauntless woman’s mind, prepared to reinvent herself ad infinitum until she achieves absolute freedom.

Read More About:

Jump to Comments

Toronto Film Review: ‘Orphan’

Reviewed at Unifrance screening room, Paris, Aug. 24, 2016. (In Toronto Film Festival — Special Presentations.) Running time: 111 MIN. (Original title: “Orpheline”)

  • Production: (France) A Les Films Hatari, Les Films d’Ici production, in co-production with Arte France Cinéma, Rhônes Alpes Cinéma. (International sales: Le Pacte, Paris.) Producers: Michel Klein, Serge Lalou.
  • Crew: Director: Arnaud des Pallières. Screenplay: Christelle Berthevas, des Pallières. Camera (color): Yves Cape. Editors: Emilie Orsini, Arnaud des Pallières, Guillaume Lauras.
  • With: Adèle Haenel, Adèle Exarchopoulos, Solène Rigot, Gemma Arterton, Jalil Lespert, Nicolas Duvauchelle, Sergi López, Karim Leklou, Olivier Loustau.

More from Variety

Most Popular

Must Read

Sign Up for Variety Newsletters

By providing your information, you agree to our Terms of Use and our Privacy Policy.We use vendors that may also process your information to help provide our services. // This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply.

Variety Confidential

A Variety and iHeartRadio Podcast

ncG1vNJzZmiukae2psDYZ5qopV9nfXKCjp%2BgpaVfm7K0wMivmKWrX6S%2FsbTAp2Srnaaesrh5zqunoZ2cnrumeZBrZ2pwZWyFen6O

CATALOG
    FEATURED TAGS